Laureato 2016: the future of its origins

The Watch Quote™ - January 30th, 2016

A return to its originaL values, collector:

While preparing to celebrate its 225th anniversary, Girard-Perregaux returned to its iconic Laureato and the original design premise. Backed by the manufacturing arts and micromechanics expertise, the brand is honoring the timepiece with a limted edition of 225 pieces, over 40 years after the first steel Laureato was introduced and as a tribute to its success.

Steel to this day

Watchmakers and lovers of fine watchmaking have always appreciated the properties of steel and it is making a strong comeback as it is invariably associated with the sporty watch design. Once again there is the well-known hexagonal bezel and the understated seamless integration of the flexible bracelet, but this time a clasp has been added as well as a subtle interplay between polished and satin-brushed finishing.

The 41 mm diameter returns the watch to reasonable standards after allowing itself a momentary foray into the XXL era. the baton-shaped hands come from the original model and have been embellished with a hint of luminescent material while the dial (sometimes white gray sometimes navy blue) is stamped with a Clou de Paris small checkerboard pattern like the first 1975 models. The date appears at 3 o’clock. Among the inconspicuous signs that this is a modern edition is an anti-reflective treatment on the crystal and the addition of a sapphire crystal on the back.

The quintessential enduring three date hands

As with any fine watchmaking brand, the Laureato features a manufacture movement: the gP03300- 0030. This 27-jewel self-winding mechanical move- ment with flawless finishing is equipped with an oscillating weight that can be viewed through the case back. It has a frequency of 28”800 vibrations per hour and a 46-hour power reserve.

GP03300 movement

Post-vintage, new trend

Backed by 225 years of history, girard Perregaux guards its expertise and centuries-old craftsmanship. Internally, it is preserving the treasures of its legacy and the museum is poised to reopen in La chaux-de-Fonds.

Exploring the timepieces on display at the museum reveals a journey marked by impassioned artistry and boldness and displays a collection that has become timeless while capturing the spirit of founder watchmaker Jean-François Bautte in 1791.

Created in 1975 and faithfully re-released for the 225th anniversary, the Laureato joins this hall of fame of iconic models.

Girard-Perregaux Laureato
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Girard-Perregaux Laureato

Technical specifications

Diameter:41.00 mm
Thickness:10.10 mm
Crystal:Anti-reflective sapphire
Dial:Silvered or blue with “clous de Paris” pattern
Hands:Baton-shaped luminescent hands
Base-back:Anti-reflective sapphire crystal
Water-resistance:30 meters (3 atm)
Movement :Girard-Perregaux GP03300-0030
Mechanical with automatic winding
Diameter:25.60 mm (11½’’’)
Height:3.20 mm
Frequency:28,800 vph - (4 hz)
Power reserve:Min. 46 hours
Functions:Hour, minute, central second, date
Strap :Steel
Silvered dial :81000-11-131-11a
Blue dial :81000-11-431-11a

The historic roots of an iconic model

1975: the origins

In 1975, girard-Perregaux introduced the Laureato, a timepiece that single-handedly broke all the conventions of that time in terms of the shape, the materials and the movement. Suggested by girard-Perregaux’s Italian distributor, the name is a nod to the film world. It is inspired by and bears the same name in italian as the Mike Nichols film The Graduate (1967) starring Dustin Hoffman, Anne Bancroft and Katharine Ross.

The superior quality of steel: a bold move

If historians were to choose the watershed moment when the watchmaking industry began using steel as a quality material to make high-end watches look sportier, they would also have to factor in the Laureato’s trajectory from its period of development to its release in 1975.
Right from the beginning, this model also featured gold, which was particularly unusual for watches of this type.

The word bold has always been part of the Girard-Perregaux vocabulary. The design of this watch was an inspired move at a time when marketing departments hadn’t yet taken their first steps into the world of watchmaking.

The Girard-Perregaux Laureato watch - 1975

An innovative modular shape

The Laureato’s polished octagonal bezel embedded in a satin-brushed case makes it a pioneering model in the integrated bracelets category. The bracelet’s aesthetically pleasing design didn’t sacrifice comfort or flexibility and not long after, a polished strip was added across all of the polished-hinge satin-brushed links. The watch features a beautiful interplay of shiny and matte or – for models with a gold bezel and links adorned with gold insets – a combination of precious yellow and sporty gray. As soon as the Laureato was introduced, it was a notable part of the emerging trend for two-toned watches.

A caliber that set the standard

While today the Laureato’s design is obviously iconic, when it was first released Girard-Perregaux was focusing its efforts on completing a pivotal technological advance. At a time when the arrival of quartz in Swiss watchmaking was threatening to upset the most established balances, the brand began developing a quartz movement in-house.

Girard-Perregaux Quartz movement - 1975

By setting the quartz’s oscillation frequency at 32,768 hz, Girard-Perregaux set the standard for quartz movement timekeeping. This was when dials were first beginning to be marked with “Quartz Chronometer,” as are all watches that pass a stringent inspection for precision. This standard is still the quality benchmark today and the international standard for makers of quartz movements.

Far-reaching changes for a legend

1984: first upgrade

Legends are unique because they transcend fashions. In 1984, complications were added to the Laureato that increased its allure and presence across all market segments. this is when it was equipped with the famous Equation movements that supplied astronomical indicators.

The Girard-Perregaux Laureato Equation watch - 1984

The bezel on the case and integrated bracelet was still octagonal and polished. The bracelet was enhanced with domed interlinks with a polished surface that nicely offset the shiny bezel, which also resulted in a pleasantly rounded form.

1995: larger dimensions and complications

In order to accommodate the slimline self-winding mechanical GP 3100 movement, the Laureato’s dimensions had to be enlarged with a new construction that did not at all affect its original proportions.
The new design featured more room for the bezel and case-band while the links in the bracelet began resembling an H.

In 1996, The chronograph version led to the creation of the Olimpico collection and in 1998 the design was changed in order to encase the well-known Tourbillon with Three Gold Bridges movement, a signature feature that is synonymous with Girard-Perregaux. There was a clear message in this new and sportier world: the extraordinary tourbillon confirmed it was reliable and rugged under any conditions.

The Girard-Perregaux Laureato EVO³ watch

2003: EVO³

With a self-winding mechanical chronograph movement, the now famous Laureato design entered into the third millennium by advancing toward diameters larger than 40 mm. The Laureato EVO³ case came in at 44 mm and had an octagonal bezel – the first one to be satin-brushed – that was nestled inside and enhanced by the circle. Seamlessly integrated, the screwed winder and push-pieces showcased the collection’s sporty style.

Inside the Laureato EVO³, the 52-jewel manufacture movement Girard-Perregaux GP 033C0- A0VAA with a 46-hour power reserve is a kinetic tribute to the microcomplications and the balance of their display: the 24-hour counter sits at 9 o’clock opposite the second counter at 3 o’clock and the calendar-hand date marker lies at 12 o’clock. The chronographic minute and second hands are tipped in red and sweep across the entire dial.

The collection was then developed with versions of the Laureato Tourbillon with Three Bridges that were completely transparent. Bridges made of sapphire as well as blue spinel displayed a levitating effect and as a result the model met with phenomenal success.

The Girard-Perregaux Laureato Tourbillon with Three Bridges watch

From Daytona
to the Cosmograph Daytona

a lot
very much indeed
not at all

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